Sunday, August 6, 2006

COMICS: At long last, I'm immortal


Photobucket - Video and Image Hosting…Finally, I get to fulfill a long-held dream and become two-dimensional. Yep, my Portland comic-writing friend Jeff Parker has seen fit to give yours truly his moment in the spotlight. I wrote many a comic back in my 1990s small press comic series "Amoeba Adventures," but I've never been a character in a tale - until now. Yep, if you pick up a copy of "Marvel Adventures Avengers" #2 (the new all-ages Avengers title from Marvel Comics), turn the pages and you will discover a startling cameo appearance that – dare I say – might well shake the comics universe to its core!

Behold! The dazzling four-color debut of "Dirga," also known as Henchman #2 to the infamous Hulk villain The Leader:
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…OK, so it ain't exactly a starring role (I do think artist Manuel Garcia nicely captured my essence, however). They've obviously capitalized on the inherent evil of my last name. Also a fun comic too, with some great humor, action and the Hulk beating up fish. (I might add that Jeff's also the writer behind the cool-sounding brand-new Marvel miniseries Agents of Atlas [unfortunately I haven't had a chance to pick up a copy yet, but I bet you it's swell!]) He's also with the nifty group of comics folks up in Portland who make up Mercury Studios.

Photobucket - Video and Image HostingBut anyway, you ask, what is Dirga the henchman's ultimate fate? I can't tell you for sure without asking Mr. Parker, but it appears like all good henchmen, I end up getting punched in the face by Captain America. So much for my brief moment of comic bookery. Dare I hope there's a spin-off solo comic in the future for my humble Henchman #2? There's more to be told here! Vote with your wallets - write Marvel Comics today!

Saturday, August 5, 2006

MOVIES: 'The Man Who Fell To Earth'


Photobucket - Video and Image HostingAs regular readers know, I'm cuckoo for David Bowie. Yet perhaps his best-known movie, 1976's "The Man Who Fell To Earth," was always a kind of enigma to me. It took me until maybe the third or fourth time watching this strange, hypnotic curio to really start appreciating it. I picked up the fantastic new Criterion Collection 2-DVD set of it recently and watched it with the commentary featuring Bowie, director Nick Roeg and co-star Buck Henry. As with the best commentaries, I was left with a whole new appreciation for what they were trying to do here.

If you've never seen it, "The Man Who Fell To Earth" is a trippy quasi-science fiction film. It came out shortly before "Star Wars," but it's almost completely the opposite kind of movie. In a nutshell, Bowie is Thomas Newton, an alien from a dying world who comes to Earth to find a way to save his family. But although he quickly becomes a millionaire selling alien technology patents, Newton soon loses his grip with the temptations of humanity's sins. Drugs, women and violence begin to corrupt this gentle soul. Ultimately, he ends up losing his freedom when his true identity is discovered.
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"The Man Who Fell To Earth" isn't an easy movie to watch – it's a strange impressionistic non-narrative, hallucinatory and yet vividly real. Newton can be seen as an angel losing his innocence, a fool getting his just deserts or an artist corrupted by reality. Roeg makes his story elliptical, hard to follow at points. It's far less about narrative than it is about sensation, the eerie loneliness in the core of life. Certain scenes seem more added for shock value than adding anything to the story. Yet the whole is a haunting vision. Roeg avoids sci-fi clichés – there's a few surreal glimpses at Newton's homeworld and life there, but Roeg more determined to show us how alien Earth really is through Newton's eyes. He makes us feel like Newton, alone and overwhelmed by strangeness.
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Bowie has dabbled in acting on and off over the years, but "The Man Who Fell To Earth" remains his one true masterpiece. Bowie's basically playing a twisted mirror vision of himself – he was whacked out on coke at the time, dazzled by superstardom and nearing the collapse that would lead to the brilliance of his "Berlin" period. Yet he's never been more beautiful than he is here, fragile and utterly charismatic as Newton moves from ingenue to bitter outcast. In supporting roles as Newton's "temptations," Candy Clark is terrific as a woman who moves from hotel maid to Bowie's companion, ending up shattered by him. Rip Torn grounds the movie in reality as an acerbic, cynical professor who ends up sucked into Newton's world – and ultimately betraying him.
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One thing that's off-putting when you first view Roeg's film is his handling of the passage of time. Roeg jumps abruptly back and forth in the narrative, and years can pass in a single transition. Bowie's Newton is ageless, immortal, but as the film passes you start to see other characters age. Roeg views time as a fluid ocean, and his approach colors how we see the film. Like much 1970s film, it's also far more open about sexuality than today's movies – Roeg contrasts how we view sex and how Newton sees it to a truly disorienting effect. The movie and its fashions are quite dated, of course, but I still find it timeless in the same way that say, Woody Allen's "Annie Hall" is – bell-bottoms aside, it remains a true snapshot of the human condition.

This Criterion DVD set is their typically comprehensive work – besides the beautifully remastered version of the film itself (the colors "pop" and the elegant, alienating cinematography sparkles), you've got special features galore - interviews with most of the principals, writers and more. In a nice bonus, there's also a copy of Walter Tevis' original 1963 novel. (Which I haven't had a chance to read yet – oddly, though, the late Tevis also wrote the book that the movie "The Hustler" is based on. Pool and aliens. Cool.)

"The Man Who Fell To Earth" is one of those rare movies I can return to every few years and get something totally different out of it each time. In that way, even though it's 30 years old, it remains ahead of its time.

Friday, August 4, 2006

So in my 4 1/2 years of newspaper covers here, this might just be my favorite design yet:
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I fully expect to get some outrage from the little old lady crowd. The switchblades he's holding just make the picture, IMHO. Anyway, if you wanted to read my finished Alice Cooper interview after seeing the excerpts I posted a little while back, go read it here. (Almost as entertaining as my workman-like prose is the reader comments linked to at the top. Alice do get some people's blood up!)

Wednesday, August 2, 2006

LIFE: Yurt yurt yurt


Photobucket - Video and Image Hosting...So we zipped away to the Oregon Coast for a little camping getaway to decompress from all the pre-moving stress, and finally fulfilled my lifelong dream of staying in a yurt. What is a yurt, you ask? Basically a round cross between a tent and a cabin, based on the Mongolian nomad dwelling. Several of the coastal campgrounds in Oregon have yurts and I've been vaguely curious about staying in one for years now. They're very popular though, and hard to get a reservation for, but I finally scored one. It was a pleasant change from our usual tent camping to be "yurted." It's not very hardcore camping - they even have electricity! - but there's something fun about staying in a little round fairy-tale house. Unfortunately there were no corners to tell Peter to stand in when he was bad. (Have we mentioned how fun 2 1/2-year-olds are?) But now I can say I have slept in a yurt.
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It was a fine getaway as always - we went to our favorite coastal town of Bandon, which is nicely picturesque and touristy without being overwhelmingly so, and far less crowded than some of the more popular Oregon Coast haunts get. Now that we're just about a month away from leaving Oregon, we realized this might just be our last trip out there. There'll be beaches in New Zealand a-plenty of course, but the Oregon coast is something unique and special. I'll miss the views.
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And Peter will miss the driftwood!
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Sunday, July 30, 2006

LIFE: Mega-America Trek


Finishing up my late-night Saturday shift at the paper, and I've just written what might be one of the more surreal headlines of my life: "Llamas die in blaze."

Photobucket - Video and Image Hosting…Anyway, that's neither here nor there. So anyway, in all my talking about the big move to New Zealand in October, leaving Oregon in September, quitting my job, et cetera and so forth, I've never mentioned anything about our mega-America trek! Road trip! For how can an American lad leave his motherland after nearly 35 years without saying farewell to the amber waves of green and so forth? Anyway, visions I had of using our 6-7 weeks between leaving Oregon and leaving America for a grand, sweeping trip from sea to shining sea have had to be scaled back some. For one thing, it's expensive when we'll be making no income till November at the earliest, and for another, have you tried driving thousands and thousands of miles with a toddler in the car?

So my thoughts of visiting New Orleans, old friends in Texas and Mississippi have been sadly abandoned. Instead, we're still taking a pretty decent trip at the end of September, from my parents' house in Northern California (where we'll decamp to after leaving Oregon) down to visit friends in Los Angeles, then we're going to take a leisurely drive through Southern Arizona and then New Mexico. We'll then go up through New Mexico and into Colorado, visiting some more friends in the Denver area, and then zip across the Rockies through arid Utah and Nevada home (maybe stopping in Wyoming too). It's still a pretty damned ambitious trip to take but I'm really hoping we can pull it off, hopefully without leaving Peter in a rest stop somewhere. We're still in the planning stages... Any suggestions for sights to see in Southern Arizona or New Mexico would be appreciated! We spent our honeymoon in the Sedona/Grand Canyon area, but I've never been further south and only once briefly passed through New Mexico.

Photobucket - Video and Image HostingThere's nothing at all like the Southwest in New Zealand, of course, and there's something about the wide-open road and highways of America that I'll really miss. NZ is only about the size of Oregon, and is rarely more than 100 miles across at any one point. You can pretty much always see the ocean. Which is great, but at the same time, I might get to feeling claustrophobic sometimes. One of the beauties of America is that you can get in the car and just drive, from Portland to Kansas if you wished, or Anchorage to Orlando. It's a big old world out there, and I want us to feel the highway wind on our brows a bit before we trade it for another one.

Saturday, July 29, 2006

ETC.: Friday flim-flam


ITEM! ...So the lesson is to be specific, because if you're not, bad things can happen. For instance, don't tell the stylist you want "a really short haircut" because she just might think you mean it and the next thing you know you have a huge shaved patch on the top of your head and it's past the point of no return. Through no fault of the nice stylist, I now have the worst haircut of my adult life. I look like Uncle Fester on a bad day. The scalp shines off my receding hairline with the light of a thousand suns. Flourescent lights at work even less flattering. Sigh. I'm never cutting my hair again. How fast does hair grow, anyway?

ITEM! Wow, it's been so busy I plumb forgot to post that I checked out Kevin Smith's "Clerks II" and dug it, not as good as the original and as always his clumsy/sincere style is kind of an acquired taste, but it amused and offended me enough to recommend. Anyway, I've been too lazy to code the HTML to post it here, so go over here to my day job and read my full review if you like.

ITEM! Good lord, I look at the calendar and realize I'm just barely a month away from quitting my job and embracing poverty before we head to New Zealand in October. I'm hip-deep in special sections, Alice Cooper interviews, packing everything we own and so forth as the final days near and I fear posting will continue to get ever more random. It's a marathon run through August for me.

ITEM! Hey, I've joined the ranks of 14-year-old girls nationwide by finally starting my own MySpace page. Nah, I'm not giving up my preferred online haunt over here, but I just thought it'd be a lark to start. Already found all sorts of strange people I vaguely knew in high school who have now turned into total freaks. And then there's myself, of course. Anyway if you're on there and want to validate my pathetic little existence by being my Friend, I'll be forever grateful. Sob.

Wednesday, July 26, 2006

MUSIC: Johnny Cash and Tom Petty


Johnny Cash, ‘American V: A Hundred Highways’
Photobucket - Video and Image HostingIf anything, this album should be an enormous downer. Johnny Cash died in 2003, after all. This album, the latest in his amazing series recorded with producer Rick Rubin, was recorded in the final months of his life, after his beloved wife June Carter Cash died and shortly before his own passing in September 2003. Cash was ailing, probably heartsick, and reflecting on his soon-to-end-life. Sounds like a fun album, eh?
But while “American V” is often heart-wrenching, there’s something very life-affirming about this set of covers and Cash-penned original songs. There’s still strength in Cash’s oak-hard voice. If it’s not at full holler, it’s still a tremendous instrument. “God’s Gonna Cut You Down” throbs like an Old Testament judgment, with a clattering stomp of percussion and Cash’s weary refrain. A cover of the old Gordon Lightfoot tune “If You Could Read My Mind” is achingly intimate, while the bluesy “Further On Up The Road” reimagines a Bruce Springsteen track.
What’s been billed as Cash’s final original song, “Like The 309,” is a fragile meditation on death, fate and faith. Cash’s voice sounds about to crack wide open, but it works. “American V” isn’t the most dazzling of the series – the earlier CDs, when Cash was in stronger voice and presented a striking array of unlikely cover tunes from artists like Nine Inch Nails and Soundgarden, are some of his finest work. But “American V” is heavy with the sense of imminent endings, and Cash’s firm faith that something better was awaiting him on the other side.
Heavy credit is due to superb producer Rubin, who added subtle, evocative backing instrumentation to Cash’s raw demo vocal tracks. He’s filled in the sketches Cash left behind, and“American V” feels rich in the tradition of American music, from folk to country. It’s timeless music. Through toil and struggle, Cash carried on. That why when “American V” wraps up with “I’m Free From The Chain Gang Now,” you can’t help but smile a little and hope he’s happy, wherever he is now.

Tom Petty, ‘Highway Companion’
Photobucket - Video and Image HostingIt’s nice to come home to Tom Petty again. His wry, wizened voice is something sorely missing in today’s Top 40 radio. His latest CD, “Highway Companion,” is like a familiar friend stopping by that you haven’t seen in years. It’s not cutting edge; it’s just darned fine tunes by a master of the pop song. “Highway Companion” has what much of Petty’s most recent work lacked – hooks. It’s his best CD since 1994’s wistful “Wildflowers.”
The distinctive jangle of longtime Petty bandmate Mike Campbell’s lead guitar grounds the album with friendly, open riffs. The first single, “Saving Grace,” kicks off the album in fine style, with a propulsive feel that sets the stage for the rest of the disc. The gorgeous “Square One,” which first appeared on the soundtrack to Cameron Crowe’s movie “Elizabethtown” last year, is a fine gentle ballad that feels like a companion to Petty’s earlier track “Wildflowers.” “Highway Companion” is nicely balanced between up-tempo rockers and slower ballads. There’s several tunes here that stand with Petty’s best – the quirky jingle “Jack,” the epic, yearning “Turn This Car Around,” the forlorn “Damaged By Love.” In “This Old Town,” a country-fied singalong, Petty comments on a town that’s collapsing in on itself: “I keep to myself / like everyone else / nobody says much to me.”
“Highway Companion” is a restless, questing album that’s the perfect soundtrack for a long road trip to nowhere in particular. It’s vintage Petty, and it’s fine to have him back.

Tuesday, July 25, 2006

...When the temperature in our normally green and damp part of Oregon is a high of 106 degrees as it was all weekend, there's only one thing you can really do...
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Naked pool dance!*



*Caution: Cuteness of naked pool dance rapidly goes downhill the older and hairier the dancing party is. Your neighbors may call 911.

Sunday, July 23, 2006

MUSIC: My 15 minutes with Alice Cooper


Photobucket - Video and Image Hosting…So had that nice little chat with Alice Cooper yesterday. He's coming to the world-famous Douglas County Fair in a couple weeks and I'm doing an advance piece on it. A good conversation, I didn't fumble around as much as I sometimes do in interviews (best tip I ever learned about interviewing people – shut up and let them talk). The high priest of 'shock rock' is actually quite a nice guy, with a zillion stories to tell.

I bashfully admit (although not when I was talking to him of course) that I never had been a huge Alice Cooper fan – sure, I knew "School's Out," "I'm Eighteen," "No More Mr. Nice Guy," but that was about the scope of my knowledge. But getting ready to interview someone, you've got to bone up on them, so I've been reading tons of stuff about Alice Cooper, spinning a few CDs I got, and enjoying them. Cooper's like the Kevin Bacon of rock, with ties to just about everybody, and he's a huge influence on everything from Bowie's Ziggy era to hair metal to rap-rock bands today. He was doing stuff in 1971 that's still stirring people up today, judging from some of the hate mail the paper got about his upcoming show here. He's a rock icon, and it was a pleasure to chat with him a bit.

I'm still working on my actual story, but space dictates I won't use but a fraction of my notes. So here for your blogging pleasure is some random excerpts from our 15 or so minutes of talk before the PR rep had to send Alice on to his next talk –

Photobucket - Video and Image HostingOn his infamous reputation:
"I'd say 70 to 80 percent of anything you hear about Alice Cooper … is wrong."

"I've never killed a chicken onstage."

"Alice Cooper never came close to being as vile as Shakespeare." (Part of a talk about protests from local folk hereabouts upset about his show – we got letters to the editor castigating bringing a "known Satanist" to town, etc. Anyway, Cooper was talking about Shakespeare plays like "Macbeth," "Titus Andronicus" and how the desire for lewd entertainment has been around a lot longer than him.)

"Most of the songs that I hear on the radio today are songs that I would've thrown away."

What kind of music today do you dig?
"A band like Jet is a real authentic rock 'n' roll band. The White Stripes are totally unique. I like the Strokes a lot."

"There's no such thing as "shock rock" today. I don't really think you can shock an audience anymore … You turn on the TV and there's a terrorist cutting off a guy's head for real now – how shocking can Alice Cooper be?"

Photobucket - Video and Image HostingOn being known for some of the most legendarily excessive live shows of all time:
"I never went out of my way to say OK, I can't wait to shock the audience. I was much more interested in entertaining the audience, doing something they've never seen before. People called it glam rock, people called it theatrical rock and we were at the head of all of that."

"…I looked at the Who, The Yardbirds, all of these great, great bands, but nobody's going to do anything with that stage. Why would you leave that stage just bare? Why not light it up, why not decorate it, why not make it come to life? If you say, 'Welcome to my Nightmare,' don't just say it – give it to them."

You're in your late 50s now, with a nightly radio show, still putting out new albums and touring regularly – how long can you go?
"I'm 58 years old now and I'm in better shape than I was when I was 38. …I've been married 30 years to the greatest girl in the world, I've never cheated on her. … I've never smoked cigarettes. That's a big plus. I quit drinking 25 years ago. You've got a lot of plusses on my side there."

"I'm having more fun with the show now and I'm making better records now. I think I'll end when I get out there and there's nobody there to play to. I will not end up on a Carnival Cruise – you won't see me playing a cruise ship with Ozzy Ozborne."

Friday, July 21, 2006

ETC: Redesigns, resignations, rock 'n' roll


Photobucket - Video and Image HostingITEM! …And the winner for worst redesign of 2006 goes to the magazine GIANT, which in the space of a mere single issue managed to systematically suck out pretty much everything I liked about it. This enjoyable general-interest mag started up a year or two back and had a nice, cool-but-a-bit-geeky feel, and the early issues were absolutely packed with content; tons of reviews, from the mainstream to the esoteric, and some celebrity interviews that really managed to reach a little deeper than most. At least, that's how GIANT was - the newest issue is, basically, utterly banal. New editor, new design, and they've gone from "Scrubs" to "Beyonce" on the cover selection. Content has been replaced with an eye-splittingly bad redesign featuring unreadable fonts, page after page of pointless arty photo spreads with a splash of text here and there, and the once-mighty reviews section has been slashed to the bone. Feh. All flash, no content, nothing to set it apart from the crowd of competing "lad mags." I don't want to read 100 pages of photos. Good thing my subscription expires next issue anyway. Farewell, GIANT, I knew ye well and like to support struggling good mags, but your ill-thought "redesign" obviously isn't aimed at my demographic.

ITEM!
Hey, y'like Spoon, that hip Austin, Texas band all the cool kids dig? Go hither to BlogCritics and read my review of the recent reissue of some of their vintage work.

ITEM! You never know which way the dominos will fall – my upcoming resignation from my job effective Sept. 1 triggered a fun amount of reshuffling in the newsroom. See, the sports editor decided he felt like a change of pace and so he's taking my job, and now one of the associate wire editors has decided he's like to be sports editor so he's taking that job. End result is my leaving ends up affecting three different jobs! Good to shake stuff up though, isn't it?

Photobucket - Video and Image HostingITEM! Hey, so you know what I'm going to be doing tomorrow around noon? Chatting on the phone with Alice Cooper, if all goes well. He's playing at our county fair next month and I finally managed to snag an interview with the godfather of shock rock. So basically I have to bone up on my Cooper-ism the next 24 hours or so. (Yeah, I know, I've got a hard job – I have to listen to a bunch of Alice Cooper songs and get paid for it.) Anybody got any questions for Alice they want to pass on?