Showing posts with label wilco. Show all posts
Showing posts with label wilco. Show all posts

Tuesday, May 26, 2009

Return of the Visitors, Jay Bennett and The Hobbit

Winter has clenched its icy fingers around Aotearoa this last week or so and I am cold. Brr.

PhotobucketI had kind of vaguely heard they were remaking the old "V" TV series from the 1980s, but hadn't realised it was actually really happening until I saw this trailer for it. "V" was a great '80s nostalgia kick for me -- I remember being horrified out of my wits by the original miniseries and its sequel, despite the cheesy special effects and some rather dire acting. Still, you had Marc "I Am The Beastmaster" Singer, Michael "I Will Kill You My Pinky Finger" Ironside and Jane Badler, who didn't look half bad in a red Nazi-symbolic jumpsuit. And the metaphors, ham-handed as they were, mean the show holds up decently well today. (The ongoing TV series was less good, but I was hooked on it even as it descended into silliness and makeup so cheap that even a 13-year-old noted it.) Anyway, this new series looks fairly promising, certainly better special effects, although I wonder how much "new" it will bring to the table. Will it just repeat the original or will it be a radical re-invention like "Battlestar Galactica"? I quite like Elizabeth Mitchell from "Lost" and am pleased to see her on the cast. Hopefully we'll see it in New Zealand by 2012 or so.

• Rest in peace, Ex-Wilco member Jay Bennett. Bennett contributed a heck of a lot to the distinctive psychedelic quasi-country sound of the band's "Being There" and "Yankee Hotel Foxtrot" albums, and his death at just 45 is pretty shocking. The headstrong Bennett clashed a lot with Wilco leader Jeff Tweedy, as recounted in the excellent documentary "I Am Trying To Break Your Heart," and it sounds like he had a lot of personal issues consuming his life after he left the band in 2001. Wilco has continued to prosper and impress, but I'm sad Bennett never quite broke through as a solo artist.

• Mexican director Guillermo del Toro is going all New Zealand as he gets ready to film 2011's "Hobbit" prequels to "Lord of the Rings." I can't wait for these -- if Peter Jackson couldn't do it, I can imagine no other director than the singularly mysterious del Toro to take his place.

Wednesday, January 7, 2009

Concert review: 7 Worlds Collide with Neil Finn and friends, Auckland, January 6

OK, I know it's only a week into the new year, but last night's show is going to be hard to top. Picture Neil Finn, leader of Crowded House, jamming on stage with folks from The Smiths, Radiohead and Wilco and more. That was 7 Worlds Collide, an all-star three-night concert going on at Auckland's Powerstation and one of the biggest music events to hit this little island in years.

PhotobucketIt's a benefit for the charity OxFam and a sequel to a similar 2001 event organized by Finn, who it's safe to say is New Zealand's most famous musician. The gang of stars are working on an album of new material and debuting their work and a whole slew of their own classic material over three nights of shows. I snuck in for Tuesday's event.

This was just about as much musical talent as I've ever seen on one stage at once -- Neil Finn, son Liam Finn, Jeff Tweedy and several other members of Wilco; Ed O'Brien and Phil Selway of Radiohead; the legendary guitarist Johnny Marr, co-founder of the Smiths; kiwi singers Bic Runga and Don McGlashan and many more. As a fan of Crowded House, Wilco, Radiohead and the Smiths, it was pretty much a dream show at a very intimate venue where you're rarely more than 20 feet from the stage.

The night was like an awesome sandwich with awesome salad on the side, smothered in awesome sauce. There was so much cool stuff to process that it's all a bit of a blur. That said, highlights were multiple:

Photobucket* Neil. The man. The New Zealand Paul McCartney, who's written so damned many classic pop tunes they're spilling out of his ears. I've never seen him live, and the ringmaster of events here was in perfect form, bouncing between vocals, guitar and piano. Particular greats included him opening with "Distant Sun," and awesome sing-along takes on Crowded House classics "Weather With You" and "Four Seasons in One Day." Also great to hear one of his underrated solo tracks, "She Will Have Her Way."

• Johnny Marr singing and playing throughout the night, but especially on an utterly lovely "Please Please Please (Let Me Get What I Want)", quite likely the nearest we'll ever get to hearing a Smiths reunion. (Overheard on way to toilet at break: "Who is the guy who sang the Morrissey song?" Argh.) There's nothing quite like hearing Marr's distinctive chiming guitar live.

* Wilco are of course one of my top bands playing these days, and I was psyched to see them again less than a year after their last show down here. They played favorites like "Jesus Etc.," "War On War" and "The Late Greats" and one of my all-time Wilco classics, their take on Woody Guthrie's "California Stars" complete with Don McGlashan on a honking euphonium. Marvelous, and Mr. Tweedy in a very good humour throughout (even tossing in a dash of an a capella take on "I'm A Wheel.")

• Neil Finn tackling a full-throttle cover of Radiohead's "Bodysnatchers," bellowing away Thom Yorke's electro-rock vocals in wonderful style, with Radiohead's Ed O'Brien on fire on guitar.

• Guitarist O'Brien and drummer Phil Selway of Radiohead were fantastic -- O'Brien (who's like eleven feet tall) provided wonderfully spooky, very Radioheady guitar accompaniment to several tracks with Wilco and others, and Selway got behind the mic to sing a nifty new song he'd written, "Family Madness."

Photobucket* The lovely violinist Lisa Germano (who's played with John Mellencamp and has had a very underrated solo career) added awesome textures to "Jesus Etc." and several other tunes.

* I named Neil's son Liam Finn's debut album "I'll Be Lightning" as one of my tops of 2008, so I was really pleased to see him here -- and the kid nearly stole the show at several points, really throwing himself into takes on his "Gather To The Chapel" and "Second Chance" (which featured a fantastic guitar duel with Johnny Marr), and joining Wilco on several numbers.

• Kiwi icon Don McGlashan was extremely cool, adding eccentric instruments like ukelele and euphonium to several songs and providing very classy vocals (a highlight being a duet with Finn on "Throw Your Arms Around Me"). Kiwi singer Bic Runga was great too with a countryfied "Change of Heart" cover.

• Of course this entire assemblage has been working on new songs for their forthcoming album, and premiered several tracks, including a new Wilco song (I think called "You Never Know") and Marr singing a track written by Tweedy. Awesome stuff. Tunstall and Runga premiered a nifty little "murder ballad" they'd written as well.

• I wasn't familiar with Scottish singer KT Tunstall but she was a real find, bubbly with enthusiasm and doing several great tracks.

• The encore was totally awesome, of course, featuring what I counted as up to 13 musicians on stage at one point -- all-star takes on Radiohead's "Fake Plastic Trees" (with a giddy Tunstall tackling vocals -- Tweedy had apparently sung it the previous night which would've been something to hear), Neil Finn and the rest of the gang tearing through The Smiths' "There Is A Light (That Never Goes Out)" and a full-band blast on the chestnut "Something In The Air" (which I know best from a Tom Petty cover).

I wish I'd brought my camera (I have borrowed the pics above from another attendee's Flickr page, and appreciate getting to see his pics). The only regret that I have is that for some reason I nearly didn't buy a ticket to go 7 Worlds Collide at all. I must be insane, I realised last night as the last stinging chords of Johnny Marr's guitar echoed in my brain. What an event.

Update: Totally grand YouTube footage of "There Is A Light That Never Goes Out" from the night I attended. Huge thanks to Youtuber lordez185 for the footage!

Monday, March 24, 2008

Concert review: Wilco, Auckland, Easter Sunday


PhotobucketAh, Wilco, Wilco, Wilco. If there's a better live American rock band right now I can't think what it is. Their first "real show" in Auckland (previous appearances have all been at festivals) was a 2 1/2-hour stunner, packed with classics and rarities by one of the tightest bands on the road. Can't think of a better way to finish up an excellent long Easter weekend.

I've been a fan of Jeff Tweedy and co. since the Uncle Tupelo days, and what's fascinating to me about Wilco is how they started off as a rather run-of-the-mill alt-country band like the Jayhawks or Old 97s, but have blown up into so much more. Over the last 13 years they've swerved from country balladry to psych-rock weirdness to hard rock bashing to excursions into krautrock and experimental soundscapes. They've been called the "American Radiohead" but I think that's a rather lazy description for a band that's uniquely Americana, twisting the old cowboy tunes into an often-surreal journey through the states of the mind and heart. Their songs are caked with road dust.

PhotobucketI've been on a mad great run of shows in the past month (Sonic Youth, Cat Power, Iron & Wine and this), but this is right at the top of concert experiences – I sat in the front row right behind the open pit, Tweedy directly in my sight line about 30 feet away, sound was excellent and not TOO loud, and the band was in top form. I loved how a great part of the set was derived from their 2002 masterpiece-to-date, "Yankee Hotel Foxtrot." Particular highlights included the slowly building opener "Sunken Treasure," a dazzling "Via Chicago," and a particular favorite of mine, the Woody Guthrie-penned "California Stars." I also loved the 10-minute-plus take on "Spiders (Kidsmoke)" during the first encore, which chugged along and kept exploding into cathartic release. Tweedy was in great, genial form, cracking jokes in the audience and repeatedly expressing his love for Kiwiland (at one point accepting a male audience member's offer to marry him "if that's what it takes to emigrate").

Tweedy and sturdy bassist John Stirratt are the only remaining members of Wilco's original incarnation, but the newer members are what make the band so dazzing live - particularly drummer Glenn Kotche, and lead guitarist Nels Cline, who's just astounding. Nels could shift from pedal-steel country laments to blues riffs to utterly spacey, experimental textures at the drop of a hat. He's amazingly versatile and one of the best guitarists I've seen (and the guy is in his 50s!). The spooky underwater-rock drifts of "Yankee Hotel Foxtrot" would seem hard to duplicate live, but Cline's anchor of sound brought tunes like "Jesus, Etc." and "A Shot In The Arm" to dazzling life. Put 'em all together, and these six guys put on one of the best rock shows I've seen in a while, probably since I saw Arcade Fire earlier this year, except this was far more intimate and lengthy.

If Wilco comes to your town, check them out. They're worth the trip. Here's a nice vid of the gang performing the jazzy "Impossible Germany" last year – excellent guitar showcase for Nels!