

Firestarter: A minor King work, I'd say, but enjoyable in a pulpy way. The tale of fire-starting "mutant" girl Charlie has a straightforward momentum, and a made-for-movie feel (although like 99% of the movies based on King's books, the film is inferior). Yet while it's good fun to read, it never quite leaps from fun to masterful -- the villains are cardboard and the story a bit predictable. Underachieving, frankly. Grade: C
Cujo: Another "minor" King book, but what's remarkable about this one is how incredibly bleak it is -- no happy endings here (foreshadowing the even grimmer "Pet Sematary"). A rabid dog is no global plague or killer clown as far as King's villains go, but "Cujo" does tap into something primal and freaky about the perils that lurk in the natural world all around us. King himself notes in a later book that he was so heavy a drinker at this point that he barely remembers writing "Cujo," which explains why it feels a bit like a short story stretched to the breaking point. Grade: C+

The Dark Tower Book I - The Gunslinger: "The man in black fled across the desert, and the gunslinger followed." It's a fantastic first sentence, and kicks off what would become a 20-year, thousands of page epic for King -- a dark, thoughtful and lyrical fantasy, set in a mysterious other world where Roland the Gunslinger is on an epic heroic quest to destroy the Dark Tower. Filled with myth and mystery, it's a taut, superb read. Now, the later books in this series get increasingly complex and long, and you can debate whether the series as a whole "works," but as a first tale, this is a remarkable story, in tone and approach unlike anything else King had done up to then, and a sign his interest lay deeper than rabid dogs and zombie cars. (King later revised the book in 2003 to tie in with the later novels more, but I haven't read that version.) Grade: A
Different Seasons: This might just have been the first King book I ever read, and I still think it's one of his best, four novellas, three of which have gone on to be generally fantastic movies (a rarity for King adaptations.) "The Body" became "Stand By Me," the clunkily titled "Rita Hayworth and Shawshank Redemption" with a shorter title became one of the most popular movies of the 1990s, and "Apt Pupil" is a terrific underrated Bryan Singer film. The stories are all actually even better than the solid movies – in "The Body" King gives a pitch-perfect voice to being a boy growing up, and the twisted Nazi obsessions of "Apt Pupil" result in one of King's freakiest tales. If you ignore the fourth novella in here, the gross "The Breathing Method," you've got one of King's best. Grade: A-
Christine: Another curious kind of minor monster-of-the-week book -- killer possessed cars, anyone? -- that makes up for its pulpy gimmick with a decent portrayal of a loser teenager's revenge against all who've wronged him. But it still feels like King is spinning his wheels, pardon the pun. Grade: B-

The Bachman Books: An interesting collection of King's pseudonymous, early work (dating 1977 to 1982), it's a mixed bag but includes some of his strongest novellas -- "The Long Walk," in particular, is superb, a chilling piece of nihilistic science fiction, while "The Running Man," (which has next to nothing in common with the cheesy Schwarzenegger movie) imagined reality TV years before the fact. On the other hand, neither "Roadwork" or "Rage" (a clumsy kind of Columbine mass killer story) have the maturity to really come off. Grade: B+
Not reviewed: "Creepshow" graphic novel and "Cycle of the Werewolf," King's two story/art collaborations with artist Bernie Wrightson, because it's been far too long since I've read either of them and "Creepshow" in particular is regrettably hard to find.
Next time: "The Talisman to "The Tommyknockers"
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