New Zealand has nice clouds

That is all.
March 25 marks New Zealand and Australia's Anzac Day, one of their biggest holidays and a solemn memorial to World War I veterans (and those of other wars as well). It was interesting to attend the huge ceremony in front of Auckland's War Memorial Museum and see the enormous turnout of more than 10,000 people coming to pay tribute to their forefathers. Most Americans barely even note Memorial Day or Veterans Day anymore unless they have a veteran in the family, yet, Anzac Day is growing in popularity here every year, many say.
It's not a huge orgy of patriotism like the US Fourth of July – no fireworks, a lot of kind of quiet pride in what being a kiwi means. War is not celebrated so much as lamented. World War I is a defining moment in the antipodes – these quiet British colonies suffered gigantic losses but it also was a crucible which many say forged the modern identity for these former colonies. New Zealand and Australians no longer defined themselves purely as British colonists far away from the motherland; today, it's not a question of when New Zealand will become an independent republic but when. I imagine it'll easily be within my lifetime. And Anzac Day has played a big part in New Zealand figuring out who it is, apart from its British ancestor.
28. The White Stripes, "The Hardest Button To Button." I love Meg White. She may be the object of disdain among lots of drumming afficionados, but what she might lack in polish she provides in pure thudding stomp, and this track is a marvelous showcase for the rhythm and racket a band can make with just two people. The Stripes excel at serving up a post-millennial stew of the blues – an unbeatable wild mercury groove, Jack White's greasy lyrics and delivery are redolent of the juke joint, his guitar chords combine Muddy Waters with a hint of Ramones, and Meg – well, I just love Meg's sturdy drumbeat. And she drums barefoot. I find that oddly appealing. As marvelous an ode to the unforgettable stomp of the Delta blues as we've had since the Stones' heyday. And there's Meg, banging along with all her heart. "Now it's easy when you don't know better / You think it's sleazy? Then put it in a short letter."
29. Elvis Presley, "Mystery Train." For way too many folks, Elvis is a joke these days. I'll admit, he was to me too; even though I lived within spitting distance from Graceland for years the King was mainly a source of played-out humor for me. It wasn't till I actually visited Graceland a year or so before I moved away from the South that I started to develop a sense of what the man meant, who he was and his tragic little story. "Mystery Train" is one of the early Sun singles – Elvis at his most unpolished, honest and open-hearted, I think – and its bluesy little shuffle may not be terribly profound, but it's the rail line that opened up a whole genre of music. In the hollow echo of its swing, you can see that train, the baby comin' round the bend. Here's where it all begins. "Train I ride, sixteen coaches long..."
30. Journey, "Don't Stop Believin'" It's an accepted truism among the cultured that Journey suck. But in fact they do not always suck. They do what they do extremely well – it's just that their ultra-sappy, heart-on-my-sleeve power rock kinda went out of fashion post-1985 or so. But I will gladly confess that sometimes, a Journey song is all you need in life, and this one sums up their approach perfectly, from Steve Perry's broad-but-universal lyrics ("Just a small town girl / living in a lonely world") to the sprinklings of power ballad guitar riffs. It builds into a life-affirming anthem that is so cheesy it somehow goes beyond cheesy and into something true again – then again, maybe you just had to be there in 1983 to have it stick. (And would you believe someone out there on the Internets has done an awesome academic analysis of the lyrics? Of course you would.) Journey: Deeper than you thought? "Some will win, some will lose, some were born to sing the blues."
ITEM! The beauty of living in Auckland is that there's so much to explore, particularly for a man and his 3-year-old with lots of time to fill during the week while mom works. With Playcentre on an Easter break, we've been zipping around all over the place lately trying to occupy time – the museum (Peter loved the stuffed animals, not so fond of the volcano exhibit), the beach house for a few last gasps of summer, the Easter Fair, various parks, the downtown library (Peter rides a city bus!) and more.
ITEM! A plug for my Portland compadre Jeff Parker's new Marvel Comics miniseries, Spider-Man/Fantastic Four, the first issue of which just came out – Jeff writes delightfully old-school fun without all the angst and grit of most current Marvel comics (it's set pre-"Civil War," thankfully). Any story that features the wise-cracking Spider-Man teaming up with the goofy Impossible Man is all right with me. It also boasts some beautifully clear art by Mike Wieringo and a good old-fashioned tale of aliens trying to invade Earth. It's not a comic that will "change everything as we know it," but frankly I've had enough of those money-grubbing crossovers lately. Go pick it up if you're looking for something light and fresh.
Some news you never want to hear. Kurt Vonnegut was one of the finest writers of the past century, one of my 10 favorite authors, easily, and his passing hurts.
What is "disco-punk," exactly? Exhibit A whenever the term comes up is LCD Soundsystem, New York producer (and co-founder of label DFA Records) James Murphy's pet project.
The emotional heart of Sound of Silver comes in the one-two introspective punch of "Someone Great" and "All My Friends," a seamless reverie and elegy that ripples into a beautiful bliss. "Someone Great" is a New Order-esque ode to someone gone – dead, perhaps, or merely out of the picture, filled with telling little details ("I miss the way we used to argue / locked in the basement"), while "All My Friends" is a bleary-eyed last call to missed chances and old hangouts ("You spend the first five years trying to get with the plan / and the next five years trying to get with your friends again"). Murphy is crafting a soundtrack for aging hipsters and discovering irony isn't enough to carry you into your 40s. Even if you've never been to a club in your life, you'll find an emotional resonance here.
...To quote Keanu Reeves, "whoa." This weekend – Sunday, actually – marks three years since I first fired up the ol' Spatula Forum online. Three years of bloggin' – who would've thought? Dead blogs litter the Internet, but I'm still plugging along, providing whatever the heck it is I provide going into a fourth year.
I know, I know, I'm a "git r done," trucker-hat wearing, Cheeto-eatin' yokel. Indeed, the Walmart in Roseburg, Oregon, where I shopped a couple times a month, was a redneck American paradise, full of gigantic people pushing gigantic shopping carts with soon-to-be-gigantic kids stuffed in them. There was never a time when it wasn't crowded, and I usually ended up leaving with some kind of existential crisis burgeoning in my head.