Who's drinking the tea party?

I'm an expatriate, but I've never subscribed to the whole "I left America because I hate it" notion of being an American living overseas. We moved to New Zealand because of family, and because hey, it'd be neat to live in a foreign country for a while, however long it ends up being for. George Bush being President had nothing to do with it. But I love many many things about the US, miss it a lot, and usually stick up for it when I get the occasional "America-bashing" comment from people here.

But I admit -- I don't understand this "Tea Party" nonsense or the school of Sarah Palinism at all. The incoherent rage and anger of people like the Glenn Becks and Bill O'Reillys and so forth is bizarre to me. There are people on the Republican end of things I've respected, but they seem to be a dwindling voice amongst the crazies. People on both sides of the political divide get angry and idiotic, but I don't know, it just seems like the American right wing has a patent on over-the-top lunacy.

Living overseas, I see everything now through a curious filter of distance. I wonder, are people really getting crazier, or is that just the way it seems from afar? I end up often feeling like I need to apologise for my country, or trying to explain to people that a politician or a talk show host does not equal a country.

When you get people like Sarah Palin saying things like 'Don't retreat, just reload," and you think about the likelihood that a certain amount of disturbed, gun-owning people are likely to take that as more than just rhetoric, you have to wonder. If left-wingers talked about shooting Bush, they rightfully would've been prosecuted. It's hard to imagine endlessly red-faced, violence-invoking rhetoric isn't going to lead to real trouble.

I dunno. Maybe it's just the up and down of politics as always (people have been shouting about politics as long as they've had larynxes, after all). Maybe the Internet, the Twittery and Facebookery and so forth just make everything that much louder and less avoidable. I try to tell my NZ friends that all Americans aren't like the Palinites -- that the Tea Party folk just are a very vocal, very loud fringe element that gets a lot more press than the number of people they actually represent. But maybe I've been out of America too long and the lunatics have actually taken over the asylum. Can anyone tell me?

Alex Chilton was a Big Star

Alex Chilton is dead, and lordy does it hurt to type those words. For a certain stripe of pop fan, he was kind of like our Bob Dylan or Leonard Cohen, and when I heard he'd died today at the too-young age of 59, of an apparent heart attack, I was stopped stone-cold. It's been a crappy kind of week anyway, and Alex Chilton should never die. Michael Jackson dying, yeah, kind of saw that coming, but Alex Chilton was the voice of heartbreak and strained emotion and man, he just shouldn't be dead, y'know?

I discovered Chilton's never-quite-made-it 1970s band Big Star in the 1990s, when I was living near Memphis, Tennessee, their home town. Big Star were a cult fetish for music nerds, with their blend of power pop, rock chops and lyrical truth. It's taken years, decades, for them to get their due -- the awesome box set of pretty much everything they did, "Keep An Eye On The Sky," was one of the best music albums of last year or any year, really. You listen to a Big Star song, and you think, man, why have I never heard of these guys?

Chilton's songs may never have quite topped the charts, but the best of them hit a chord with many artists - you might know "September Gurls," given a lovely cover by The Bangles, or "In The Street," which covered by Cheap Trick became the theme song for "That '70s Show." Big Star only released a couple of albums, but these '70s records are universal in their stumbling honesty. There was just something really fragile and sincere yet strong about Chilton's best work. There's been one jillion overwrought songs about being young, uncertain and in love, but somehow, Chilton's never seemed forced. His thin, quavering voice danced through tunes like "Thirteen" and "Back of a Car," finely detailed little snapshots of everyday emotional fumblings--
"Sitting in the back of a car 

Music so loud, can't tell a thing 

Thinkin' 'bout what to say 

And I can't find the lines"

Read it on the page and it sounds like generic teenage angst, maybe, but man, Alex Chilton SELLS that sentiment and if you've ever been 16 years old and digging that person so much your stomach boils, you know the feeling. Big Star and Alex Chilton touched that moment and always sold it, always made it feel real. Over their three-year recording career their songs ran the gamut from teen-bop of "Don't Lie To Me" to the dark, glistening sorrow of songs like "Holocaust." Endlessly contrarian, Chilton's post-Big Star career was a strange twisty journey -- he seemed to spurn the fame he could've had -- but he never stopped playing -- he was going to play with the reformed Big Star this weekend.

There's a tribute song by The Replacements that'll be played thousands of times by Chilton fans in coming days -- as heartfelt as any of Chilton's best, it's an homage to a cult artist who should've been a household name but never quite was, but that doesn't really matter. It's a valentine to a secret idol, a star who's huge in your own personal universe and you don't care if anyone's never heard of him. In my mind, Alex Chilton will always be a Big Star.

Children by the million sing for Alex Chilton when he comes 'round
They sing "I'm in love. What's that song?
I'm in love with that song."

Superheroes I Love No. 1: The Man-Thing

Everyone knows about Superman, Spider-Man, Batman and Wolverine. But one of the things that keeps me hooked on comics is the sheer variety of goofy, semi-obscure superheroes out there. Here's one of a series of occasional looks at lesser-known characters I've always dug.

Who: The Man-Thing, a swamp monster who first appeared in 1971.

What: A scientist transformed in a horrible lab accident -- you know how it goes -- into a mindless, shambling muck monster, who feeds off human emotions. Haunts the Florida Everglades, ends up in lots of strange magical-inspired escapades.

Catchphrase: "Whatever knows fear burns at the Man-Thing's touch!"

Why I dig: There's something about Man-Thing I've always liked, even if his name is vaguely giggle-inducing. (And we won't even get into the short-lived series "Giant-Sized Man-Thing," source of more comic geek jokes than you could fill a barn with.) I've always liked his bizarre design, kind of a pile of muck with a carrot for a nose and dreadlocks. He was created around the same time as DC Comics' "Swamp Thing," but has been used in rather different ways over the years. He's less a character than a catalyst -- there's a challenge in writing a story around a mute, basically brain-dead protagonist, who basically just reacts to events and puts plots in motion.

But the best stories, by the late, great Steve Gerber, use Man-Thing as a pivot to tackle themes of all stripes. You'll find Man-Thing used in ghost stories, religious parables, environmental spiels, wacked-out pirate tales. Gerber had a knack for using Man-Thing's empathic nature as a mirror to reflect man's own lunacy, and was probably the best writer by far to tackle the character. Although his heyday was in the 1970s, he's even been used fairly successfully in more straightforward superhero tales -- one of my favorite "Marvel Team-Up" issues pitted Spider-Man in a gooey battle against Man-Thing. Sure, it's a funny name -- Man-Thing, tee-hee! -- but the muck monster has yielded some great stories.

Concert review: The Pixies, Auckland, March 12

So last night was alt-rock legends The Pixies' very first tour in New Zealand, like, ever, on the road on their never-ending reunion tour, this time playing their 1989 classic album "Doolittle" straight through, beginning to end. They pretty much sold out the massive 12,000-seat Vector Arena, filled to the brim with former hipsters-now parents like myself (fun game -- count the balding 30-something blokes with shaved heads! Pretend they're all clones!). NZ has been waiting a LONG time for Pixie love -- I know several people that were practically buzzing out of their seats all week in anticipation. And it was awesome good fun, with Frank Black, Kim Deal and co. slashing out the riffs, yelps and screams like it was 1990 all over again.

It was a bit of deja vu for Avril and I as we were (probably) one of the few there who'd actually seen the Pixies live since they reformed in 2004 -- we caught them on one of their very first gigs almost exactly six years ago back in Oregon. So we didn't have the shock of novelty going for us, but it was quite interesting to contrast seeing them at a 1,200-seat club vs at a cavernous 12,000 capacity arena. We definitely had better views at Eugene, where the band was a bit looser (Joey Santiago doing an impressively fun series of impromptu guitar solos), but Auckland's show was a prime spectacle -- there was something quite awesome about seeing so many thousands of people so totally into the definitive "cult" band, singing along to grotesque and weird anthems like "Debaser," "Gouge Away" and "Hey." They were smoothly professional with just enough of a gritty edge to not seem like a total cash-in reunion tour, and the two encores were awesome, with fantastic versions of "Into The White" and "U-Mass." I'm just too darned old for the front row, but I actually like sitting a bit back from the stage and seeing the sweep of hundreds of heads bobbing, hands waving. Kim Deal was the definition of rock-chick cool, Frank Black screamed so much I thought his throat would explode, and we all thrashed away.

We also had the fun of people watching -- as usual there were a fair percentage of goofs who seemed to just show up to spend $100 on tickets, get as drunk as humanly possible on $8 beers, then get thrown out (the guy who got tossed out during the second song was tied for 'Winner of the Night' with the other guy who tried to vault a fence into the pit and did an amazingly epic face-plant on the concrete floor instead).

Anyway, it was totally cool to see the Pixies once again -- the last time Peter was just a 10-week-old shrimp, today he's a bouncy 6-year-old! -- and to see them earning the cash and the acclaim that they deserved back in the day. "Doolittle," at 21 years old, still sounds strange and spacey and surreally menacing, as fresh as anything from 2010. Gouge away, my friends, gouge away...

500 words or less on why I'm here

To blog or not to blog? ... The question that's been rattling about these last 10 weeks or so since I 'gave up' regular posting on here. I tend to over-think most things that aren't really important enough to overthink, so the question of whether I should keep blogging or not took up a lot of brain space the last couple months of 2009. In the end I thought I'd pull the plug on "Spatula Forum." But I kept feeling that itch to express myself, and while I've also done other creative type pursuits -- taken up sketching a bit more, done various freelance movie and book reviews for papers down here -- in the end the free-form, whatever-the-hell I want to say allure of a blog is mighty compelling. I placed arbitrary "rules" on myself about how much I should post and I think that contributed to a lot of my feeling burned out by the whole thing at the end of the year.

So anyway. After seeing Pavement last week I felt darned itchy, wanting that outlet to blather about the cool gig -- brief comments on Facebook aren't really enough. The itch only went away when I just rambled out a little blog entry on it (and it was cool to see the several hundred hits I got writing a review of a well-known indie rock band's first gig in 10 years).

So I'll dust off the blog, change the design a bit (I've switched from Haloscan commenting so all the old comments are going away, I'm afraid), and I'll scratch this itch sometimes, putting aside any self-defeating notions of "how much" I should blog (a lesson I shoulda learned in 6 years of doing this, I know) and just doing it when and where and why I feel like it. That's why the Internet was put here in the first place, ain't it?

Concert review: Pavement, Auckland, March 1, 2010

OK, well, I'm back -- for a quick one-off post!*

One of my favorite bands of the 1990s was Pavement, that Stockton, California quirk-rock band who combined surrealism with grunge-rock chops and indie low-fi weirdness. So it was pretty damned awesome to be in the crowd last night to see the reunited band do their first show in 10 years, kicking off a worldwide tour down here in Auckland with an awesome opening set by also-reunited local alt-rock icons The 3Ds. I came to Pavement a bit later in their heyday -- my favorite album has always been their emotional fourth one, "Brighten The Corners," which I played in extremely heavy rotation in my own chaotic personal summer of 1997 -- but I made up for it later by grabbing up all their discs (and also Stephen Malkmus' own excellent later solo work). Since they broke up in 1999, I'd kind of imagined I'd never see them live. But no band stays dead forever these days unless it's The Smiths.

Only 1600 or so of us could fit in to see Pavement at the full Town Hall, and it was a great teaser for what folks at mega-festivals like Coachella will see later this year. Despite a decade off, they're in awesome form, with frontman Stephen Malkmus seemingly ageless, a steam-of-consciousness poet in a preppy's body. Over a two-hour set with an encore they played all their "hits" -- catchy alt-rock anthems that were on high rotation in college radio back in the glorious '90s -- "Cut Your Hair," "Gold Soundz," "Shady Lane," "Range Life."

While there was a slight bit of rust after the decade hiatus (frontman Malkmus also had a cold, so his voice got a bit strained by night's end), the band was clearly having a blast, with wacked-out backup vocalist/instrumentalist Bob Nastanovich providing tons of energy. Pavement stretched out in excellent jams on songs like "Stop Breathing," alternating nicely between Malkmus' laid-back vocals and crunchy guitar freakouts. While sometimes I felt like the sound didn't help the clarity of Malkmus' vocals (for me, the words -- strange, nonsensical and yet universal lyrical wordplay like "You've been chosen as an extra / in the movie adaptation / of the sequel to your life" -- have always been key to Pavement), it generally came off as a polished band getting back in the game, rather than one of these all-for-the-money sad reunion gigs. (*Set list here.)

Long live Pavement -- the rest of the world will soon get to see what New Zealand saw last night. It's nice to be first sometimes!

(*So I'm not exactly 'un-retired' from blogging, but after a two-month break, I can see the way to perhaps throw up a post every once in a while when I'm particularly inspired, such as wanting to write about how awesome Pavement was. I don't want to feel constrained by "rules," man, like I was letting myself be before, so I can't promise punctuality. But if you're interested, check in every once in a while for the 'all-new, all-sporadic Spatula Forum.' Cheers!)

** Very nice show photo inelegantly borrowed from blogger Piero who was there too.

This is the end, my friends...

So we're wrapping up 2009, and we're wrapping up the decade -- and I've decided it's as good a time as any to wrap up this blog as well.



I've been blogging, not daily, but at least a couple times a week, for just shy of 6 years now -- exactly 1,101 posts, starting all the way back in Roseburg, Oregon, in April 2004, and wrapping up at the end of 2009 in Auckland, New Zealand. I've been mulling over quitting for a couple of months now, trying to decide if I was "sure" or not, but in the end it boils down to I feel like I've said most of what I wanted to say here, and I don't want to just keep doing this blog as a chore. I could stumble on for a while longer, but I'd like to try and turn what little spare-time creative energies I've got in a different direction. I won't quit writing, but it's time for something else.

I've really enjoyed doing this blog, and I know I will miss it more than a little bit, especially when the itch hits to rant and ramble on something. The longevity of as new a medium as blogging is uncertain -- some folks do it once or twice and flame out, some carry on daily posts for years and I tremendously respect that. I figure I ended up somewhere in the middle; 6 years is a decent run in today's world.

I never wanted to make this a "one subject" blog so I have written about any variety of things -- books, movies, music, comics, journalism, and of course, chronicling the ins and outs and ups and downs of plans for and migration to New Zealand in 2006. And I started this blog just a couple months after we had our bouncing baby boy Peter, so there's been a lot about what it's been like being a dad on here. I also ended up doing a lot of writing for the fine site BlogCritics as a result of this site, and had a great time doing that and polishing my critical skills.

There's a heck of a lot of fine people I have "met" through this blog, several of whom I've actually gone on to hang out with in person. They're great bloggers and quite interesting folks who have commented or linked a lot. A decade ago I would've said making a "friend" on the Internet was a bit creepy, but many of these folks I've met thanks to this blog are great and not at all creepy -- Ash, Arthur, Andru, Bob Temuka, Roger Green, Mike Sterling, Patrick, Johnny Bacardi, Daniel M., Tom The Dog, Largehearted David, Greg, Mandy, Fred Hembeck, ADD, Uncle E, Beaucoup Kevin, Jeff Parker -- I'm proud to call a lot of you my friends (or at least not mortal enemies) and I'm sure there's many I've left out.

And there are tons of others, friends old and new, who have stopped by to read my words-- every time someone has left a comment on here, I've been gratified, and even if you've been reading and never left one, I still appreciate your time.

I'll still be lurking around the Internet someplace, of course and plan to keep reading the many great blogs out there, some of which are on the blogroll. Thanks again for reading my meanderings these past 5 3/4 years and have yourself a most excellent 2010!

Complete Succinct Reviews of Stephen King, Part IV

The gory end! We hit the finale of my look at Stephen King's written legacy -- over 50 books, kazillions of words and a lot of inventive ways to kill people. As I noted last time, King's days of every book being a capital E "event" are probably over, but he still sells 'em by the shovelful. His rather insanely prolific pace makes it hard to keep up sometimes. (Remember that time when he was allegedly going to "retire"?)

King has been up and down the last decade -- with some tremendously strong epics like "Hearts of Atlantis" or "Duma Key" paired with jazzy pulp like "From A Buick 8" or "Cell," and then some outright failures like "Black House" or "Dreamcatcher." But I'll still pretty much give everything he writes a shot -- he's rarely failed to entertain at least a bit even at his lowest point.

Rose Madder: One of King's more overlooked books, but a really gripping tale of an abused woman's struggle for freedom, folded into a fascinating mythology-linked plot. King's voice for women characters has rarely been stronger and there's a real sense of empowerment here that it's hard not to cheer. And for once, what I call King's "metaphysical mumbo-jumbo" tendency for plot resolution works very well. Grade: A-

The Green Mile: Famously done in a 'serial' format, it's an interesting cross between realism and fantasy for King -- which doesn't entirely come off, but there's a new maturity to his writing here. The tale of a prison guard, a mysterious "magical inmate" and his healing powers, it's very well told even if some of the more fantastical elements don't really work for me. Grade: B

Desperation: A demon takes over a small Nevada town, wreaking havoc on a small crowd of survivors. While not in King's upper tier, it's a decent, gory yarn, although the whole "magical child as savior" trope is really getting old. But it moves briskly for its length and goes down smooth enough. Grade: B-

The Regulators: A weird "rewrite" of "Desperation" by "Richard Bachman," King's pseudonym. A town slowly goes mad thanks to a demon's possession. I'd say by this point the Bachman gag has worn out its welcome -- not terrible, but not as good as "Desperation" and the split-novel parallel is nowhere near as interesting as King thought. Grade: C

Bag of Bones: One of King's best takes on love and loss and I'd argue the full flowering of King's more "mature" style we saw hints of in "The Green Mile." While it's a ghost story, King takes a gentler hand in his writing, working hard to develop character instead of shocks. If it weren't for a rather unsatisfactory conclusion I'd rank this among his best books, but it's well worth a read. Grade: B+

The Girl Who Loved Tom Gordon: A short story about a girl lost in the woods, padded out to novella length. On its own, not terrible, but not worth being a book on its own really. Grade: C

Hearts in Atlantis: One of King's finest works, and there's barely a monster to be found in it. A series of intercollected novellas loosely wrapped around the baby boomer generation. It ties in loosely to the "Dark Tower" series but the best of the stories are the ones that have nothing to do with horror -- the title piece, about a group of friends and their time in college, plucks the heartstrings like nothing of King's since "The Shawshank Redemption." Grade: A-

On Writing: A Memoir of the Craft: Yes, "It" and "The Stand" are usually mentioned as King's best books -- but this very candid memoir/writers guide deserves a place in the pantheon too. Full of tips and confessions, it's some of King's most honest writing, a fascinating peek "behind the camera" and as gripping as any of his made-up stories. Grade: A+

Secret Windows: Essays and Fiction on the Craft of Writing: A rather under-the-radar "grab bag" of King works, many of them uncollected. Viewed as a kind of companion to "On Writing," it's not bad, although it's really one for the diehard fans and does repeat some of what's in other books. Grade: B

Dreamcatcher: It'd be hard to make any novel about aliens that erupt out of your ass palatable, and this one is a rare total misfire by King. It rips off aspects of "It," "The Tommyknockers" and "The Shining" and makes it a gooey, overlong mess, complete with mentally disabled character who just happens to have magical powers. One of my least favorite Kings, written while recovering from his near-fatal 1999 accident and really, it shows. Grade: D

Black House: Disappointing sequel to "The Talisman" by King and Peter Straub. It fails to capture the otherworldly wonder of the first book - returning to its protagonist Jack as an embittered adult - and even for King, this one is dark and frankly, dreary. And tying it into the "Dark Tower" series seems unnecessary, really. Grade: C

From A Buick 8: A teleportation device to another world disguised as an old car? This one is a rather underrated, concise bit of creepy sci-fi horror, with the punch of an old EC Comics story -- it's short by King standards and has a good bit of pure chills. I also frankly like how open-ended the mysteries remain. Good fun. Grade: A-

Everything's Eventual: The fourth volume of short stories and a decent set of yarns -- many originally printed in "The New Yorker" and have a bit more highbrow, Poe-meets-Lovecraft kind of feeling. The best of his recent story collections. Grade: B+

The Dark Tower - Books IV through VI: You can really only consider the final Dark Tower books as a thousands of page whole. I could have written an entire series of blog posts on the "Dark Tower" alone and feel bad to give them rather short shrift here, but suffice it to say it's King's magnum opus, a gigantic piece of work with tendrils connecting all over his other stories (some of the links work, some feel forced, though). The story of damned gunslinger Roland and his quest for the Dark Tower has a very different feel than most of King's tales, taking on aspects of Tolkien and other epic fantasies. What's particularly interesting about the Dark Tower as it works through the last three mammoth books is how King goes very metafictional -- including himself as a character at one point. "The Dark Tower" isn't a perfect piece of work, and probably could have been at least one book shorter, but its sheer scope demands attention -- and the ending, while perhaps less immediately rewarding than one might hope, is still utterly fitting and almost demands you go back instantly and re-read the thousands of pages before. Grade for whole saga: A

The Colorado Kid: A thin-as-piano-wire thread of plot animates this bloated-up short story about a mysterious death on the Maine Coast, part of the "True Crime" series. It's really just a 10-page tale strettttttched into 150-something pages by King's meandering. Grade: C-

Cell: Cell phones turn people into mindless zombies! A retread of "The Stand" but with a good and gory hook. "End of the world" books are almost always worth a read. It's dark and nasty but a good solid yarn, although the novel bogs down in a rather unbelievable plot once the whole "apocalypse" unfolds. Grade: B+

Lisey's Story: A love story but a flawed one -- with some of King's most annoying authorial tics in full flight. The narrator here, a woman who's lost her husband, uses an inane made-up language to describe her fantasy world; a device that could have worked but becomes incredibly wearisome over 500 pages. As a ghost story and a love story, King's done better in books like "Hearts in Atlantis" or "Bag of Bones." Redundant. Grade: C-

Blaze: As disposable as King gets -- an unpublished "Richard Bachman" crime yarn from the '70s dusted off and rewritten, and it reads like sub-par Elmore Leonard imitations. Really interesting only as trivia, and best left in the files. Grade: D

Duma Key: An excellent gem about redemption, and rehabilitation, using King's accident as a plot point. One of his best written novels and it's quite rewarded by using Florida as a setting instead of King's by-now cliched use of Maine. Grade: A-

Just After Sunset: More short stories! I'm afraid King's short stories haven't really zinged since about "Skeleton Crew," but more power to him for keeping up. This is probably his most uneven bunch, but "The Things They Left Behind," where King uses 9/11 as the engine to set a haunting story in motion, is among his best short pieces. Grade: C+

Under The Dome: Hey, I just put this on my top books of 2009 list so I must have liked it. Basically what I said there -- good chewy King yarn, with a highly propulsive plot that speeds over any rough patches. It's impressive that after a few zillion words and more than 30 years, King still has the ability to craft a tale as readable and fun as this, really. I don't know where he's going next, but I'll stick along for the ride as one of his many Constant Readers. Grade: A-

Holiest of holies

With 3 days to go in 2009, I proclaim this the year's best YouTube video compilation. And the decade's, for that matter.

Lazy crazy daze of summer

Late December and January are a weird time in New Zealand. After four Christmases here, I'm pretty much used to the whole "Christmas in summertime" thing, and we had a gorgeous holiday weekend to boot, with much eating outdoors, hiking on sand dunes, a bit of swimming (water's still a little chilly though) and more. I even got attacked by a crab which got tangled in my swim shorts perilously close to a place you don't really want a crab with pinchy claws going, if you get what I mean.

The entire country sort of settles into a weird torpor till about mid-January or so, the "silly season" as it's called. Many people take some of their four weeks' guaranteed annual holiday time in Christmas, and the kids go on their "summer holiday" break from school -- about six weeks off. It's far more of a holiday than it is in the US, where Christmas falls in winter and students generally only get a couple weeks off. Don't try to hit the roads going out of town or find a quiet campground in NZ in January -- everyone else has the same idea. Rather than taking a big holiday time here I've been taking several 2- or 3-day breaks here and there and combining them with weekends, it's worked out very nice so I haven't had a full 'regular' week of work in a month or so, and got to spend a lot of time with my parents while they were visiting.

Stores close down (my favorite comics shop doesn't reopen til January 9 - sob!), businesses roll down the hours and the Auckland traffic is suddenly deserted. Also a really bad time if you need to get a contractor or lawyer or other service. It's actually kind of a nice time to be living in this city of 1.5 million people if you do have to work, really. Besides, when there's several fine beaches within a 10-minute drive of our house I don't get fussed about trying to leave town this time of year, I'd rather do it when the rest of the country isn't on the roads too.